When I first moved to Yunnan in 2000, my cousin sent with me a two-CD album of cover songs by Lyle Lovett for the purpose, she said, of reminding me of Texas. Step Inside This House became my “homesick music” over the next decade in China. The album lives and breathes home for me. If you’re not familiar with it, you should change that. Each of the songs is poetry in the form of words and guitar. I regularly included selections from the album on my playlist when I worked at Mountain Cafe — it just made me happy, in a simple way, to be in tropical Xishuangbanna, palm trees overhead and fruity drink in hand, to hear Lyle singing “Texas River Song” or mentioning places like Waco or Abilene.
Now that I’m back in the States, the songs from Step Inside This House continue to make my regular playlist. I wrote on the blog last August how “West Texas Highway” and “Ballad of the Snow Leopard and the Tanqueray Cowboy” were part of my soundtrack as I looked through my grandparents’ photos and schemed about putting together a book on West Texas. Not long after, that book began taking more definite shape, and I continue to turn to those songs for writing inspiration. As I interviewed my grandparents earlier this year, they would often have the satellite on their TV turned to the honky tonk radio channel, and many of the songs from Step Inside This House would come up, though in their original recordings, rather than in Lyle’s versions — those songs literally became a soundtrack to the book, as my voice recorder picked up the music in the background while we conducted our interviews. Then, when I spent a few extra days in the Fort Davis area after Pat and Randy headed home from our road trip in March, I mainly chose these CDs as my playlist for my solo drives.
And now, as I’m 50+ pages into the writing of the first draft of West Texas Interlude, I come to the part of the story where Bob D and Ann (my grandparents) tell of how they got married at ages 20 and 18, set off in their car for the desert, and started raising a family in the dust and drought of 1950s West Texas. How could I not think of “Bosque County Romance,” the third song in Steven Fromholz’s “Texas Trilogy” that opens the second disk of Step Inside This House? Change the names Billy and Mary to Bob and Ann, and it sounds so similar to stories I’ve heard from my grandparents. It’s a beautiful song, with Alison Krauss singing harmony.
The song is a story of love built on more than passing emotion, built on a life lived together working in the same direction. It’s the same story of love I see in my grandparents — it’s one of many things I’ve learned and seen in them that I aspire to as well.
I’d love to embed a video of it here, but alas, I could not find one. Here are a few of the lyrics instead:
Mary Martin was a schoolgirl
Just seventeen or so
When she married Billy Archer
About fourteen years ago
Not even out of high school
Folks said it wouldn’t last
But when you grow up in the country
You grow up mighty fast
They married in a hurry
In March before school was out
Folks said that she was pregnant,
“Just wait and you’ll find out.”
It came about that winter
One gray November morn
The first of many more to come
A baby boy was born…
Now Billy kept what cattle
His daddy could afford
Bouncing across the cactus
In a 1950 Ford
The cows were sick and skinny
And the weeds was all that grew
But Billy kept the place alive
The only thing he knew
And Mary cooked the supper
And Mary scrubbed the clothes
And Mary busted horses
And blew the baby’s nose
And Mary and a shotgun
Kept the rattlesnakes away
How she kept on smiling
No one one could ever say…





















